By the way, those issues and bugs can have a charm. If you practice them, they become predictable. They work better if you kept your black and white value bright as we did on the previous tutorial. There is an endless way to digitally colorize a black and white artwork. The important is now about what you can do with it. But i think a tutorial example has to be generic to be enough open to any interpretation.
The colorization setting for our artworks is now done. With white, do little and subtle corona of light around your higher values such as reflection on the lips, and on the eyes. Do the same with a bright color to brighten zone and so, increase the intensity of the lighting. It should increase the contrast in those areas, unify the local tones and add saturation. Glaze the overall artwork till you reach a good aspect this include hairs, backgrounds, etc With a dark airbrush at low opacity, vivid the shadows.
Glaze also the lips as if you were applying lipstick on them. Resize your brush if necessary to perform more little details. Glaze the eyes as if you would perform a make-up on them. Crease also some deeper shade for the hair. This preview will give you an idea of the painting work I do on it. So you can keep your value and paint color without destroying them. Do a first pass of tinting area of your artwork with pure colors and test around. Open your artwork done on the first part. As usual, click on the pictures to enlarge them. Press it, and check on your disk what this feature does. I let you the care to save your document often during the process as on the part 1. 1 Chapter 1 : Getting started with Krita (2/3) - David Revoy This feature is not available right now.
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